The Abyss

Iris, a young woman who uses a wheelchair, is recruited into testing a cutting-edge device that hijacks the mind and induces vivid dreams. As she assesses a prototype that is as dangerous as it is revolutionary, Iris struggles to accept her physical reality.

Director of Photography Pablo Finkelstein
Santiago Ipar

Asistant Director Sergio Wavriniuk

Producers Andres Aloi
Pablo Finkelstein

Production Design Valentina Gimenez

Set Dresser Mora Gimenez

Line Producer Valentina Gimenez

Production Sound Mixer Mauro Rodeniuk

Gaffer Juan Cruz Biott

Color grading Pablo Finkelstein

Editor Pablo Finkelstein

Production Assistant Camila Cerdá

Prompt Engineering Andres Aloi

Graphic Design Trinidad Aspiroz

Sound Designer Martin Scaglia (ASA)
Re-recording mixer

Film equipment Camauer Rental

Sound Effects Editor: Lautaro Zamaro (ASA)

Foley Artist : Diego Hernán Marcone (ASA)

Foley Mixer: Diego Colombo

This film is important to me because it is a hybrid film; half AI, haf digital film. I don’t think AI is a replacement of traditional film, I think they are different art forms. The idea behind this film is to prove that both disciplines can co-exist and elevate each other. The human touch cannot be replaced, but AI can help make the impossible possible in terms of budget and producton value.