Fall of the Matador
Set in Madrid (2007), a matador by the name of Mateo Garcia is expected to become a great bullfighter like his father. Mateo lacks conviction and as he ages he begins to resent his predestination. His mental stability falters and the pressure of greatness alongside his soft nature leads him to turn to Christ for absolution. The pain he caused to countless bulls plagues him as he begins a down-ward spiral of insanity, ultimately leading to death. He does not fear but embraces the process which he believes is an offering to God.
As Mateo prepares for his most important fight of the season he arrives at a breaking point. Years prior, his father died in the same arena he is to fight in later that day. Mateo pleads with God in the hopes that he will grant him strength, but God does not answer. The mental collapse leads him to enter a state of purgatory where his past opponents finally catch and deliver him to his maker.
Credits / Collaborators / Cast
Written & Directed by Griffin Hart Davis
Produced by Griffin Hart Davis, LLC
The Matador: Will Moreno
Mother of Matador: Virginia Hasselbach
Picador: Jorge Soto
Director of Photography: Kyle Messina
Sound Technician: Aaron Bittikofer
Editor: Ryan Shackelford
Original Score by: Griffin Davis
Post Production Sound Effects: Justin Mackey, Griffin Davis & Ryan Shackelford
Sound Design & Audio Mix: Dan Schneider
Colorist: Kyle Messina
Production Supervisor: Eric Waters
Camera Assistant: Rob Russell
Grip: Ethan Messina
Still Photographer & Gaffer: Eric Waters
Storyboard Artist: Cindy Cash
Casting (Locke Agency): Marry Wharton
Casting (Marilyns Agency): Pam Warner
Hair & Makeup: Chelsea Kimrey
Linguist & Cultural Expert: Alejandro Hortal
Costume Designer: Fabienne Meric, Griffin Davis & Alejandro Hortal
Voiceover Talent: Alejandro Hortal & Laura Lopez
Location #1 (O.Henry Hotel): Tony Villar, LEED® AP & Virginia Phelps
Location #2 (Our Lady of Grace): Michelle Hilburn & David Hains
Location #3 (Jockeys Ridge): NC PARKS (Candis George)
The story behind the film
Torero, more commonly known as bullfighting, is an ancient spectacle which has influenced aspects of every culture in the world. The spectacle itself is dangerous and brutal, yet sophisticated and rich with details dating back more than five thousand years. Matadors are often wounded and sometimes killed as they strive to prove themselves against one of the most mighty and temperamental creatures that walks the earth. They frequently originate from generations of families which have raised bulls or have participated in bullfighting. However, in today’s world this spectacle is extremely polarized and many think its time should come to an end.
The idea for the film came from a location I saw while driving between Charlotte NC and Greensboro, NC. There on the side of the road, were piles of rock and sand that were meant for road construction. For some reason, I imagined a pair of horns coming out of the sand as an idea for a photo series. The photo series never happened. Instead the idea sparked my fascination for bullfighting. I found myself researching its origins in mythology and tracing them to present day. A larger story began to emerge during the last five years the more I recognized the delicacy and brutality of this performance art. People such as Hemingway or even greek philosophers paint a multitude of feelings and beliefs about the origins of bullfighting/torero. I paint the picture as an observer that has no ties or allegiances. I am but a spectator that seeks to better understand the beautiful and violent nature of torero.
The ultimate goal of the film is to show that tolerance and diplomacy around sensitive issues are enlightening￼. Such an approach will lead to the further sophistication of the human race. Regardless of your viewpoint or beliefs, addressing something via constructive communication prevents intolerance, unhealthy ideology, and extremism from taking hold. Today, in America , we are loosing the art of communication and reconciliation. I was originally drawn to the topic because of the pomp and circumstance but quickly saw the value of addressing such a divisive issue as bullfighting in the hopes that the film would provide an avenue for communication.